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50 Wonderful Things From 2014
I am not a great maker of lists. Unless pressed, I will make exactly one each year, and this is it.
This is a list of 50 of the wonderful things that wandered through my field of vision in 2014. It is not a definitive list of the best things. It is not merely subjective but sublimely subjective. It leans away from (but doesn't entirely avoid) what's been most highly praised and what seems to have been most rewarded.
Also: It is cultural things, not all wonderful things. (Whenever I make this list, someone says something like, "How about a walk in the woods, huh? How about that?" Yes. I like the woods. This is not that list.)
Without further ado, and with gratitude to all of you for reading this year and all of these great folks (and lots of other great folks) for making such good stuff, let's get on with it.
1. The way director Gina Prince Bythewood presents Gugu Mbatha Raw and Nate Parker in bed together not just having sex, but lolling about idly in the gorgeous Beyond The Lights.
2. Julie Schumacher's tragicomic epistolary novel, Dear Committee Members, which traces the emotional downward spiral of a profoundly frustrated English professor through the darkly funny, self sabotaging letters of recommendation he drafts for others.
3. Brosh has written and drawn evocatively about battles with depression and anxiety, but the alliance the two created over the course of their discussion which touched on some extremely dark developments in her life blossomed into an unexpected and deeply humane examination of how it feels not just to have depression, but to come to terms with having it. (Also: Maron's conversation with Dr. Drew Pinsky, which highlighted the latter's neurosis and compartmentalizing, as well as compassion and good intentions.)
4. The great television director Michelle MacLaren, a veteran of Game Of Thrones, Breaking Bad and The Leftovers being tapped to direct the upcoming Wonder Woman movie. She becomes the first woman given a job at the helm of one of the highest profile superhero films, but that's not even the reason it's such encouraging news. It's encouraging news simply because it places a franchise that could stand a good shot at succeeding in the hands of a gifted director. You can read more about her in this profile in New York Magazine.
5. I am so glad I made room in my year and mind, and heart for Jacqueline Woodson's extraordinary verse memoir Brown Girl Dreaming, which won a National Book Award and deserved every one of the many recommendations it received this year. Achingly specific and yet in some respects utterly universal, Brown Girl Dreaming is a book about being a black girl growing up in both South Carolina and New York City in the 1960s, but is also a book about finding your voice and being at peace with your history, whatever it may be. Perhaps the book's most important lines are these: "I didn't just appear one day. I didn't just wake up and know how to write my name."
6. Jenny Slate's empathetic portrayal of the young protagonist in the funny and thoughtful uniqueproms.com romantic comedy Obvious Child, written and directed by Gillian Robespierre. There is a disarming giggly quality in parts of Slate's persona that lies atop a wonderful, gravelly laugh and a keen sense of the shyness and excitement that accompanies meeting someone you really like.
7. Anna Kendrick's straightforward performance of the song "I'm Still Hurting" at the beginning of the musical The Last 5 Years (which appeared at the Toronto International Film Festival and will open in theaters in February). The most important thing in any movie musical is to respect Cheap Prom Dresses the music (here by Jason Robert Brown) and stay out of its way, and the film's focus on Kendrick, who proves early that she can act and sing at the same time, helps it settle into its fairly minimalist groove.
8. The look looks on Rosamund Pike's face as she sits on a sofa at a crucial moment in David Fincher's adaptation of Gone Girl. There is such a complicated, oddly funny succession of emotions flitting across her face as she watches Ben Affleck as her husband Nick, and they're all necessary for the story to work.
9. The performances of the three wives on Trophy Wife: Malin Akerman, Michaela Watkins, and Marcia Gay Harden. The show sadly is no more, but while it was on, it provided a weekly reminder that archetypes need not be stereotypes, and that within every good character are contradictions and surprises, not just broader and broader versions of the original premise rendered at increasing volume. All three of these great women, as well as series creators Sarah Haskins and Emily Halpern and the other actors, including Bradley Whitford, Bailee Madison, Natalie Morales, Ryan Lee and especially the small and singular Albert Tsai, deserve to find blissful futures elsewhere.
10. Brooklyn Nine Nine's Captain Holt, played by Andre Braugher, hearing that his guess about the whereabouts of Amy Santiago was correct and intoning for all time "Hot damn!"
11. The new show that critics probably got the most unanimously behind this year was Jane The Virgin, the surprising, wonderful CW comedy drama created by Jennie Urman that lovingly bends and adapts the tropes of the telenovela to tell the story of one young woman warmly and endearingly played by great find Gina Rodriguez who finds herself in most unusual circumstances. Worth watching for the super dramatic voiceover alone, the show is an absolute blast as well as a much needed punch of good natured warmth.
12. The hashtag is now an organization, and this spring, BookCon will feature two panels specifically curated by the folks behind it.
13. Wesley Morris' film writing, including his thoughtful, crucial take on the dumb comedy Let's Be Cops and his review of the treacly, moralistic Kevin Costner race drama Black And White, which contains one of my favorite sick burns of the year: "It's like Tyler Perry's Crash."
14. Allison Tolman's performance in Fargo as Deputy Molly Solverson. Rarely does a single character come to hold so many of my hopes and dreams for a show, and rarely does my fear for her become such an overwhelming part of the show's suspense element. Tolman was pretty much unknown to me (and many others) before this role, and has since gone in a far more purely comic direction on The Mindy Project, where she was also terrific.
15. Emily Blunt's turns in both Edge Of Tomorrow and Into The Woods. She hasn't had her blockbuster Now You Can Open Whatever Film You Want moment yet, but she really should, because she's thoughtful about everything she does and hugely appealing. Edge Of Tomorrow, critically well liked and commercially disappointing, is a frustrating film that seems to suggest blockbusters perform in ways utterly unrelated to how good they are, but Blunt finds a lot of comedy in an unusually good female lead role in an action movie.
16. John Cho's game effort to elevate ABC's canceled comedy Selfie. The show was promising at times but maddeningly uneven, had trouble getting air under it and ultimately was forced to play out its run on Hulu. But cheap evening dresses Cho was charming, sexy, funny and different, and he ought to get another shot at romantic comedy pronto. He's made for it.
17. Tracee Ellis Ross as Rainbow, the mom slash doctor on ABC's Black ish. Sitcom mothers are so often left with no comic identity of their own, left to shake their heads or scold or sigh, to be wise and infallible rocks there to ground the antics of others. Bow is her own peculiar weirdo, just as much as her husband is, and their relationship isn't just one of equals in terms of respect, it's one of equals in terms of comedy and personality.
18. Nanette Burstein's great, sad, weird 30 For 30 documentary The Price Of Gold, about Nancy Kerrigan and Tonya Harding's very different experiences surrounding the 1994 Winter Olympics. Stubbornly resistant to any simple narrative, it nonetheless upended the understanding of the event that a lot of us have long had.
19. Even for those who don't care a whit about fashion, it was a joy to absorb Lupita Nyong'o's entire flawless awards season. This includes her Oscar speech, but not just her Oscar speech. As the Fug Girls , "a global style crush was born."
20. Jennifer Lawrence. She giggle bombed Taylor Swift at the Golden Globes, and, later in the year, she declined to apologize for taking whatever photos of herself she likes. Still a fan.
21. I enjoyed Serial a lot, but I also enjoyed both the Funny Or Die parody (appearance 2 for the super Michaela Watkins) and the Saturday Night Live one (featuring Cecily Strong in an even more meticulous copy of the format, now pegged to Santa). Who could have guessed?
22. Jenny Offill's Dept. Of Speculation, a novel that's formally experimental and narratively classic. It's a story of a courtship, a marriage, a child, and the appearance of peril. But Offill's assembly of the story from short paragraphs bound not by a typical storytelling structure but by the emotional strings that tie them together makes it both a relatable read and a very unusual one. Everything point of view, sentence length, everything changes throughout the book, not for show or http://www.cheappromdresses.us.com/ for self conscious edginess, but for a purpose.
23. [My friend] Pam Ribon's book Notes To Boys. Mortifying to read. Great to read. It's the circle of life.
24. Kim Of Queens, the goofiest self improvement pageant reality show I have ever sort of loved. It's like Dance Moms if the teacher actually did love the students. Every cultural diet needs an occasional ice cream sandwich, and you should at least make it a good one.
25. Cristin Milioti as both the mother on How I Met Your Mother and the lead on A to Z. Both of those projects had problems particularly her run on HIMYM as it careened toward its disappointing finale but Milioti herself can convey warmth, humor, intelligence, confidence, weariness, wariness and hopefulness. Many of the things, in other words, a heroine needs.
12 Lemons The Journey Begins
In Chicago, an art dealer Brooke Meyers feels unappreciated and neglected by her immature boyfriend Gary Grobowski, who is a partner with his two brothers in a tourism business. She decides Cheap Michael Kors to break up with him to make Gary appreciate her. Gary misunderstands her true intention, and both follow the wrong advice of family members and friends, beginning a war of the sexeswith no winner. WingClips
In the scene we are watching today, Brooke has asked Gary to pick up 12 lemons for a centerpiece she is making for a dinner party; however, Gary only picks up three lemons. As he fails to take any responsibility for his actions or lack thereof, Brooke is left defending her valid actions and requests.
Why do so many people refuse to show personal responsibility for their actions or their lack of action? Why is it the norm to shift blame, rather than own up to Cheap Michael Kors Outlet a misdeed or a lack of following protocol or past practices? Why is it so hard for people to own their mistakes? Why has the obligation shifted from the responsibility of one the wrong Michael Kors Outlet to the requirement of one the right to defend his/her appropriate actions?
6 Ridiculous History Myths You Probably Think Are True
A gloriously mustached man sits at a card game in an old louboutin replica saloon, surrounded by cowboys and surprisingly fresh faced prostitutes. He looks up, and notices that the player opposite him is hiding an extra card up his sleeve. He calls him on it, the word yellow is pronounced as 'yeller,' and pretty replica christian louboutin shoes soon they're facing off in the city square. There's a long moment before the cheater moves for his hip holster, but he's not fast enough. Quick as lightning, the gambler draws his revolver and shoots the cheat dead between the eyes.
The cowboys and prostitutes go back to their drinks, well accustomed to this sort of random violence, as the man nonchalantly twirls his pistol and says: "Guess he couldn't read my poker face."
A hundred years of Westerns have taught us that this is how you lived and died in the Wild West. The quicker draw lived to gun fight another day. It was essentially a roving single elimination rock, paper, scissors tournament that didn't end until you were dead.
How many murders do you suppose these old western towns saw a year? Let's say the bloodiest, gun slingingest of the famous cattle towns with the cowboys doing quick draws at high noon every other day. A hundred? More?
How about five? That was the most murders any old west town saw in any one year. Ever. Most towns averaged about 1.5 murders a year, and not all of those were shooting. You were way more likely to be murdered in Baltimore in 2008 than you were in Tombstone in 1881, the year of the famous gunfight at the OK Corral (body count: three) and the town's most violent year ever.
As for the traditional Western gunfight as depicted in movies, the inaccuracy of handguns at the time would have made quick drawing skill irrelevant: It was simply so unlikely you'd hit a guy on the first, second or third shot that it didn't really matter which guy got out his gun first. The closest history got to high noon show downs was dueling, where people just stood across from one another with their guns out, aimed and fired until someone got lucky, and someone else was dead. Forget about "fanning," rapidly cocking a single action revolver between rounds like Clint Eastwood does in A Fistful of Dollars. You'd be lucky to hit a henchman if the duel took place in a closet.
Because famous gunfighters like Billy the Kid wanted you to believe it. If you've seen Young Guns on cable, you probably know the guy was gunning somebody down every ten minutes!
". then I was all like 'pow' 'pow' and all the minotaurs exploded!"
Well according to sources who aren't Billy The Kid, his lifetime kill count was four. Criminals inflated their murder stats for the same reason guys today inflate their sexual experience: louboutin shoes replica It made them look cool. Towns like Deadwood talked up their violent, lawless natures in order to attract adventurous settlers. Books were written about them and movies were made as soon as cameras were invented, and nobody who'd been out west was rushing to correct the misconceptions because, why the hell would they. A century and a half later, we still love that lie.
We believe it because shooting a nameless bad guy in the heart is infinitely more satisfying than filing a complaint with the cops or writing a strongly worded letter to the editor. No checks and balances, no second guessing. Just you and a gun.
Pardon us, we have a certain Bon Jovi song we need to play right now.
5. Stock Brokers Jumping Out of Windows When The Market Crashes
Unfortunately for the angry guy in that picture and fortunately for the people whose job it is to clean up the sidewalks in New York the legendary string of dramatic Wall Street suicides never actually happened.
The sweet relief of used condoms and vomit.
A popular comedian at the time made a quip about speculators needing to "stand in line to get a window to jump out of." The myth grew from there, until the "suddenly bankrupt stockbroker leaping from a window" became a stereotype.
Failed early attempts at jetpack commuting didn't help.
In reality, only two suicides by jumping occurred on Wall Street between the crash and the end of 1929, and one of those was that of an elderly female clerk named Hulda Borowski not really the image that comes to mind when you hear "corporate fat cat."
First of all, we love a good dramatic symbol. An oil tanker spills a million gallons of oil on a beach? Ah, that's just a number. But show us a picture of an otter coated in oil? Holy shit! It's a disaster.
Likewise, saying the market www.replicachristianlouboutin.us.com lost 12 percent doesn't quite stick to the mind as well as the idea of stock brokers splattering their brains on the sidewalk rather than face another day of losses.
Also, take another look at the dude's sign up there. We root for this sort of thing to happen to the Gordon Gekko types who play Blackjack with billions in other people's money. They're the ones to blame. So when we lose our jobs or retirement accounts due to a crash, it makes us feel a little better to know the guys with gold watches and slicked back hair got a face full of concrete.
For a few decades the "bra burning feminist" was as much an archetype as the "dope smoking hippie." On The Simpsons, Marge met Homer because she was in detention for participating in a bra burning.
The story goes that at protests in the late sixties, feminists raging against the male dominated world defiantly removed and set fire to their bras. It was a powerful statement, symbolically declaring the women's desire for their feminine power to burst out of its patriarchal restraints and bounce free, no longer confined by the lace and spandex of traditional social mores.
We at Cracked support sweet bouncy freedom.
This one literally never happened as far as anyone can tell. Women protesting against the 1968 Miss America contest in New York did toss several items into a trash can, including bras, girdles, high heeled shoes and women's magazines, labeling them "instruments of torture." But no fire was involved, except for the fire of burning feminine rage. Neither did the women actually remove their bras at the protest, inexplicably opting to gather the bras beforehand, and remain fully clothed.
It wasn't long after the era of Vietnam protesters burning their draft cards, and a journalist or two presumably conflated one of the concepts with the other. After all, they're all hippies, right?
There's the fact that it involves topless women. Even the Wall Street Journal knows you get more readers if you can tie the story to unrestrained titties. Also, most of us want to believe people with non mainstream opinions are all on the far out fringe, doing crazy things they'll be embarrassed by later in life.
It saves us the trouble of listening to them. A woman demanding equal pay for equal work is making a point you have to address. A woman burning a bra and claiming it's a torture device is just a silly sideshow you can safely dismiss after a few minutes of vigorous masturbation.
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